Cliff Lyons
6 Films
Cliff Lyons
6 Included Films

Cliff Lyons was an American actor, stuntman and second-unit director, primarily of Westerns, particularly the films of John Ford and John Wayne. Lyons, the son of Garrett Thomas Lyons and Wilhamena Johnson Lyons, was raised on a South Dakota farm, though his family lived for a time in Memphis, TN, where he attended business school. An expert horseman, he gave up the notion of a business career and opted for the rodeo arena instead, touring the country;y and eventually reaching Los Angeles at the age of 21. With accomplished cowboys in great demand, Lyons quickly became involved in movies, working both as a stuntman and an actor. After only a couple of bit parts, he was signed by producer Bud Barsky to do seven inexpensive Westerns directed by Paul Hurst, with Lyons and Al Hoxie alternating as the hero and the heavy. Lyons and Hoxie alternated in another Western series produced by Morris R. Schlank, and, as Cliff 'Tex' Lyons, he seemed headed for minor stardom as a B-Western lead. However, Lyons' voice was not well-suited for sound and the talkie revolution confined him to small roles. As his small shot at stardom faded, however, his career as a stunt double for stars big and small was on the rise. He doubled such cowboy stars as Tom Mix, Ken Maynard, Buck Jones and Johnny Mack Brown. In 1936 he worked with John Wayne for the first and struck up a personal and business relationship that would remain strong for three decades. Wayne was influential in getting Lyons his first work as a second-unit director and in introducing Lyons to John Ford, for whom Lyons would do some of his finest work. Lyons' reputation as a stunt coordinator is comparable to that of acknowledged master Yakima Canutt, with whom Lyons partnered on numerous occasions. Perhaps Lyons' most impressive work was the massive and dynamic battle sequences of Wayne's The Alamo (1960). He was married from 1938 to 1955 to actress Beth Marion, with whom he had two sons. Cliff Lyons died in 1974 at 72, not long after coordinating stunts for Wayne's The Train Robbers (1973). Date of Birth 4 July 1901, near Clarno Township, Lake County, South Dakota Date of Death 6 January 1974, Los Angeles, California

Director: John Ford

Director: John Ford

Director: John Ford

Director: John Ford


Director: Budd Boetticher
Paramount DVD from UCLA restoration
Paramount DVD
Paramount DVD
Paramount's DVD is from the UCLA photochemical restoration. It remains the highest quality video release of the film which is long overdue for a new transfer and could vastly improve in a new restoration as Sony proved with their 4K restorations of the Ranown Cycle. The DVD does have extensive well done supplements and is still essential. A French BD was released in late 2024 and an earlier Japanese BD exists but their transfer sources are unknown. Reviews on Amazon France seem to indicate the BD is a poor version of the DVD's HD master source.

Director: Budd Boetticher
Paramount DVD from UCLA restoration
Paramount DVD
Paramount DVD
Paramount's DVD is from the UCLA photochemical restoration. It remains the highest quality video release of the film which is long overdue for a new transfer and could vastly improve in a new restoration as Sony proved with their 4K restorations of the Ranown Cycle. The DVD does have extensive well done supplements and is still essential. A French BD was released in late 2024 and an earlier Japanese BD exists but their transfer sources are unknown. Reviews on Amazon France seem to indicate the BD is a poor version of the DVD's HD master source.

Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras

Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras

Director: Stanley Kubrick
4K Blu-ray DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray

Director: Stanley Kubrick
4K Blu-ray DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray
6 films